I’ve supported a few artists during their crowdfunding campaigns, something I am happy to do for an artist I know and love. Dallas Dorsey was not someone I had followed in the past, but I had heard a few tunes I’d enjoyed and my buddy John from Pitstop For Country couldn’t say enough about him. That was about all I needed to throw $10 in the ring toward a digital download of this self-titled EP, and boy am I glad I did; this album is great.
July is a bit dry on the new album front, but what we lack in quantity we make up for with quality. Every single one of these artists is a talented veteran, with Cody Jinks being July's new kid with only 5 full-length records to his name.
It’s not often that I stumble on a new (To me) artist and fall in love with an entire album. Let’s face it, most albums have a song or two that is either a dud or just OK, which is simply not the case with Jody Booth’s 2018 album ‘The Rosewood Tapes Volume One’, every song is a stone-cold killer.
It’s no secret that Karen Jonas is one of my favorite country artists; I’ve talked about how well she harnessed the alt and honky-tonk sounds in her two previous albums, peppering them with a healthy helping of strong female protagonists. With ‘Butter’ I knew the recipe would have a more personal feel, but what I was not prepared for was the genre-defying sound that would present itself throughout the album. Karen and crew took something that was working very well and bulked it up, making it even better than before, something I wasn’t sure was possible.
2017 was a great year for music and one of my absolute favorite albums to come out of it was ‘This Highway’ by Zephaniah OHora. This one seemed to pop out of nowhere for me; all of a sudden there it was, feeling fresh-yet-familiar, and sounding like a lost recording session from years past.
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