The first time I heard “Off My Back”, I knew I’d found an artist with a story to tell; 2 years later Becky Warren is back with a whole new cast of characters for her newest album ‘Undesirable’, a collection of well weaved ringers painting the portraits of the often faceless.
Last week JP Harris dropped his 3rd full-length studio album on us, ‘Sometimes Dogs Bark at Nothing’. Because we don’t waste time when we hear JP is in town for a show, I’d had the privilege of hearing a few of the tunes before release, so I knew the album was going to have at least a few crankers on it.
I’ll admit it, I almost never read the bio that publicists send with music, I’m afraid of tainting my first impression with their obvious bias. When I first saw the name Hilary Scott I thought the girl from that band was going out solo, but something made me give it a listen anyway, and I’m damn glad I did; ‘Don’t Call Me Angel’ is right up there with the best albums I’ve heard all year and it can be yours October 12th.
Thanks to my buddy at Robert’s Country Blog I found my way to the music of Colin Boutwell, specifically his album ‘Gas Station Roses’, released last month. Imagine my surprise when I found out Colin was raised less than 100 miles from me in good ol’ Massachusetts. After you read this article, it’ll be obvious that I’ll be at the next live show north of Rt. 2 with a Sharpie and V-neck; Hopefully Colin is adept at signing through chest hair.
I’ve supported a few artists during their crowdfunding campaigns, something I am happy to do for an artist I know and love. Dallas Dorsey was not someone I had followed in the past, but I had heard a few tunes I’d enjoyed and my buddy John from Pitstop For Country couldn’t say enough about him. That was about all I needed to throw $10 in the ring toward a digital download of this self-titled EP, and boy am I glad I did; this album is great.
It’s not often that I stumble on a new (To me) artist and fall in love with an entire album. Let’s face it, most albums have a song or two that is either a dud or just OK, which is simply not the case with Jody Booth’s 2018 album ‘The Rosewood Tapes Volume One’, every song is a stone-cold killer.
It’s no secret that Karen Jonas is one of my favorite country artists; I’ve talked about how well she harnessed the alt and honky-tonk sounds in her two previous albums, peppering them with a healthy helping of strong female protagonists. With ‘Butter’ I knew the recipe would have a more personal feel, but what I was not prepared for was the genre-defying sound that would present itself throughout the album. Karen and crew took something that was working very well and bulked it up, making it even better than before, something I wasn’t sure was possible.
One of my parameters for characterizing an artist as a favorite is how well I can relate to the vast majority of what they write. Any artist that can put to music something I’ve thought and felt is going to be my guy. Erik Dylan continues to do just that with his most recent album ‘Baseball on the Moon’, giving us more of his poignant every-man lyrics and shattered-mirror reflection of the Norman Rockwell life.
While a song from her previous album continues to climb the Texas charts (“Already Gone” is currently #25 on TRRR), Jenni Dale Lord Band dropped a new album on us last week; that album is called ‘Reboot’ and it’s a stunner. There is a comforting familiarity to this entire recording, even on first listen; this is the kind of artist that will make a new fan out of you when you weren’t looking.
There is no one quite like Charley Crockett. While several of my pre-orders were filled yesterday, the one I was most looking forward to was ‘Lonesome as a Shadow’ by Mr. Crockett. There is a raw honesty to his music, rooted deeply in many different styles; he blends them so effortlessly that he almost requires his own genre.
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